thickly painted hawk in white and greys on a brown background

Small Hawk (Frankfurt Series), 1994. Flasche, gouache, ink, acrylic on paper. On loan from the Charles Froelick Collection.

Wooden sculpture in the form a bear waving with one hand

Waving Bear, 2012. Western Red Cedar, Port Orford Cedar.
On loan from the Kim Osgood and Mike Roach Collection. 

self portrait in profile drawing

Untitled, 1983. Graphite and colored pencil on paper.
Gift of The Richard E. Bartow Estate and Froelick Gallery.

a glass vase with a poppy pod and a yellow vase on a swath of brown black

Pod and yellow vase, 1995. Mixed media on paper.
Gift of The Richard E. Bartow Estate and Froelick Gallery.

RICK BARTOW

Exhibit Length
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The solo-exhibition features artworks by award-winning artist Rick Bartow, from 1979 to 2015. A Vietnam Veteran, life-long musician and song- writer, widower, and enrolled member of the Mad River Band of Wiyot Indians, Bartow is considered one of the most important leaders in contemporary Native American art. 

Many of the artworks on exhibit were generously gifted to the Gorman Museum of Native American Art by the Richard E. Bartow Estate and Froelick Gallery, with additional pieces on loan from private collections. 
 

Artist Statement
Using Coyote's tail for a brush and Raven's beak to make my marks, I am blind to my destination. I begin to erase marks, attempting to cover my tracks and, like forgetful Coyote, I lose my way. Yet the record of my comings and goings is visible like the lines left by the tide as it advances and recedes.

Drawing comes from inside my head, down my arm, to my hand. As the work begins to intensify, there is little of importance below the armpits. My legs carry me back and forth in front of the drawing. Occasionally I blindly run into objects, cussing and moving on from the shock of the collision.

The marks become little dictators. They demand my attention and, sometimes, even my blood as fingers crack and bleed. Still I believe in the power of drawing as medicine.

In my life I have used this medicine to overcome many obstacles—alcohol, drugs, cigarettes—everything but the death of my beloved wife. Here I found the therapeutic limit, the end of the rope... or so I thought. For even as I dangled over the dark abyss, clinging to the end of that rope with my left hand, the right hand began to draw the horrifying final moments of my lover's life.

Eventually I worked free of that great sadness. Drawing wouldn't allow it to be more than what it was: a cold, hard fact that all of us—like the lines I draw— come to an end, some more abruptly than others. Then the eyes and hand move on to a new sheet of paper, to begin yet another work. I draw because I have no choice: it is my blessing, it is my curse.
          -- RIck Bartow, 2011

Sponsors

This exhibition was made possible through museum sponsorship and the generous gifts and loans of artwork.

  • The Andrew W. Mellon Foundation Art Museum Futures Fund
  • UC Davis College of Letters & Science
  • Rick Bartow
  • The Richard E. Bartow Estate
  • Froelick Gallery
  • Greg and Kathy Tibbles
  • Kim Osgood and Mike Roach
  • Doug Bensen and Merridy Gerlach
  • Zelma Long and Phillip Freese
  •  
  • Mellon Foundation