Ink and watercolor drawing of geometric Southwestern textile motifs, mountains, and stylized sun.

Brian D. Tripp, The Sun Set Twice on Our People That Day, 1980.
Pen, pencil and ink on paper.
Gift of Dorothea Theodoratus

Graphic: black ink mountains and zigzag pattern with caption 'NO GO' on tan square background

Brian D. Tripp, NO G.O., 1983.
Pen on paper.
Gift of Dorothea Theodoratus

Abstract geometric painting with red and black triangles and yellow accents

Brian D. Tripp, untitled, 1985.
Paint and ink on paper.
Gift of Dorothea Theodoratus

Abstract painting with black and red brushstrokes over tan fields and gold curved lines.

Leatrice Mikkelsen, untitled, 2009.
Mixed media collage, ink, watercolor on Chinese natural fiber paper.
Gift of the Mikkelsen Kuimelis Family

Abstract mixed-media drawing: jagged shapes, red diagonal stripe, yellow lightning bolts

Charley Burns, A Clearness of Spirit, 2004.
Watercolor, pencil, ink and pen on paper.
Gift of the Mikkelsen Kuimelis Family

BDT: Brian D. Tripp
Exhibition Subtitle
with Charlie Burns & Leatrice Mikkelsen

Exhibit Length
-

We are pleased to present original drawings and paintings by Brian D. Tripp in this new exhibition, alongside pieces by Charlie Burns and Leatrice Mikkelsen.  All of the pieces are display are new gifts to the Gorman Museum's permanent collection from Dorothea Theodoratus and The Mikkelsen Kuimelis Family.

Brian D. Tripp studied at Humboldt State University in Arcata, California, receiving a bachelor’s degree in Art. He continued at Humboldt as an art instructor until 1992. As an honored Karuk traditionalist, singer and dancer, Tripp has been instrumental in the preservation of his people’s traditions. In addition to being a highly regarded contemporary visual artist, Tripp served as a cultural consultant for a number of organizations.

Tripp has exhibited and lectured in San Francisco and New York, as well as having done residencies at the Kunst in Der Landshaft, Prigglitz, Austria, Ecoe d’Art Aix en Provence, Provence, France, and the Open Air Modern Art Museum in Pedvale, Lativa. His paintings are modern and hard-edged, yet faithfully based on Karuk designs. He ranges from avant-garde to forms that have been passed down from generation to generation in Karuk regalia. He utilizes many different forms of media, using materials as varied as paint, aluminum foil, street signs, glass, and wood. The New York Times once described his work as “Indian themes, innovatively handled, whose beautifully modulated drawings pay contemporary tribute to traditional geometric design.”

Sponsors
  • The Mikkelsen Kuimelis Family
  • Dorothea Theodoratus
  • The Andrew W. Mellon Foundation Art Museum Futures Fund
  • UC Davis College of Letters & Science
Mellon Foundation