2022-35-40-61.jpg

Rebecca Belmore, State of Grace

Rebecca Belmore
1960-
Lac Seul First Nation (Anishinaabe)
Date
2002
Medium Specific
Printed pillowcase
Publisher
Grunt Gallery, Vancouver BC
Classification
Textile
Dimensions
Image: 16 1/2 x 18 1/2 in. (41.9 x 47 cm.)
Accession Number
2022.35.40.61
Credit
Anonymous Gift
Memo / Artist Statement
“State of Grace references healing. In State of Grace, perhaps the woman is recuperating from an illness or simply dreaming. … In the photograph State of Grace, I used a white fabric that had a sheen to it. Florene is sleeping or dreaming in this work. When I saw the print, I was troubled by it because it was too pretty. I cut the image into strips and wrapped the top around a tube so that when it hangs from the wall it can move freely. Because of the movement from the air, it could be about living and breathing.

“[As a performance artist creating images,] I have to have a clear vision of what I am going to do, because photography requires having all the materials, the model, and the constructed space ready for the shoot. Everything is precise. I can direct the creation of the image I have in my mind by physically standing back during the shoot. Composing the model and what is in the frame, for me, is the beauty of it.”
Biography
A member of the Lac Seul First Nation (Anishinaabe), Rebecca Belmore is an internationally recognized multidisciplinary artist. Rooted in the political and social realities of Indigenous communities, Belmore’s works make evocative connections between bodies, land and language. Solo exhibitions include: Facing the Monumental, Art Gallery of Ontario (2018); Rebecca Belmore: Kwe, Justina M.Barnicke Gallery (2014); The Named and The Unnamed, Morris and Helen Belkin Art Gallery, (2002). In 1991, Ayumee-aawach Oomama-mowan: Speaking to Their Mother was created at the Banff Centre for the Arts with a national tour in 1992 and subsequent gatherings took place across the Canada in 1996, 2008, and 2014.
https://www.rebeccabelmore.com/bio/
Date of Bio