Erica Lord, Danse Sauvage
Erica Lord
1978-
Athabaskan / Inupiaq
Date
2005
Medium Specific
Photograph
Edition / State
27/33
Classification
Photograph
Dimensions
14 x 11 in. (35.6 x 27.9 cm)
Accession Number
2006.20.10.35
Credit
Gift of the artist
Memo / Artist Statement
In my photographs, I like to explore ideas or perceptions of who I am. In Danse Sauvage, I wanted to discuss ideas of attraction, repulsion, exoticism, and gender or feminist notions. I am interested in the exotification of mixed-race people, and in particular women, examining this history and complexities residing within the attraction to the exotic or the “other;” desire, repulsion, and fetishism are all tied within this relationship. In my research into this history of cultural and gender issues, I was fascinated with the life and story of Josephine Baker. Although her persona was promoted as an exotic beauty and controversial dancer, she realized this power, and used it to her advantage. As one of the earliest representations of the complex intersections between beauty, fetishism, and entertainment; I believe she became an archetype of this role that women fall into, whether it is one that they choose themselves, or become because of their looks, character, or role in society. By evoking the image of Josephine Baker, I hope to raise issues about the roles of power, the representation and manipulation of beauty, and issues within race, cultural studies, and contemporary feminism. (www.ericalord.com)
Biography
by Mique'l Askren Dangeli (from Manifestations)
Of Athabascan, Inupiaq, Finnish, Swedish, English and Japanese heritage, Erica Lord’s work is tremendously influenced by both society’s response to her appearance and her life-long travel between her father’s village of Nenana, Alaska and her mother’s community in Michigan.
As an interdisciplinary artist, Lord primarily works in performance, film, photography and installation. Her pieces directly engage viewers in a dialogue that forces them to think critically about the stereotypes they hold about Native people and how these views have been long ingrained in mainstream society through popular culture, governmental policies and the media.
Of Athabascan, Inupiaq, Finnish, Swedish, English and Japanese heritage, Erica Lord’s work is tremendously influenced by both society’s response to her appearance and her life-long travel between her father’s village of Nenana, Alaska and her mother’s community in Michigan.
As an interdisciplinary artist, Lord primarily works in performance, film, photography and installation. Her pieces directly engage viewers in a dialogue that forces them to think critically about the stereotypes they hold about Native people and how these views have been long ingrained in mainstream society through popular culture, governmental policies and the media.
Inscription
Titled, edition, signed on verso in pencil